So when you have a victory of that magnitude, why not name a bike after it?

1966 1 stage, Giro d'Italia
1967 2 stages, Tour de France
1968 1 stage, Giro d'Italia
1969 Giro del Piemonte
Tre Valli Varesine
1 stages, Tour de France
4 stages, Giro d'Italia
1970 3 stages, Tour de France
2 stages, Giro d'Italia
1971 Points Competition, Giro d'Italia
2 stages, Giro d'Italia
1972 World Pro Road Race
1 stage, Giro d'Italia
1973 GP Gippingen
1 stage, Giro d'Italia
1974 1 stage, Giro d'Italia
1975 6 stages, Vuelta a España
1977 Coppa Placci
1 stage, Giro d'Italia

That said, let's not read anything into the title of this entry - The Champion of the Basement. It's my basement, I'm referring to, and this bike is the prettiest one I have.
It's Circa 1984, I bought it in new at the old Bicycle Exchange on Mass Ave in Cambridge in the spring of '85. Columbus SL tubing. This wasn't a top of the line bike. I was told after several frame alignments that the build is 'soft'. This is true, after riding several frames over the years, it certainly doesn't have the snap one would expect from a high-end bike. In fact, my '84 Kellogg frame has a better race quality (more on that in another post).
This is a 'club racer'. It's built for local hacks like me, wanting a reasonable race bike to keep up with the weekly local races. A task it fulfilled nicely.
A few years ago I decided to restore the bike - let me back up.

In the late '80s I stripped the bike and painted it. It was a red candy apple metal flake. I simply took it to a local auto body shop and asked them to paint it a deep blue metal flake. The fork was originally red like the rest of the bike, and I discovered while stripping it that the entire fork was chrome plated, but it was a pretty lousy job. There were pits and file marks, no wonder they painted it. I took the fork to a local metal fabricator that specialized in plating parts for cars and motor cycles, then asked the guy to strip it, plate it, and polish it. It came out fabulous.

In about 2002 I decided to 'restore' it. I took the frame (only) to Ted Wojciack and asked him to do a "showroom" paint job, in the original candy apple red, and put on a complete set of new decals, Again, it came out fabulous. Then I set out collecting old parts, to bring it up to a level slightly higher than what I bought. I went for a complete period Campagnolo Nuovo Record. It originally had a mishmash of Italian parts - modolo brakes, ofmega hubs, cranks, and BB, campy NR shifters and dérailleurs.

I still had some of the parts, but what the fuck, they were used and abused, crashed, scratched up, fuck it. I just decided to get everything as new-looking as possible.
I think I succeeded.

I have the frame fitted with the following:
Cinelli stem, bars, and cork tape
Campagnolo Nuovo Record: brakes, derailleurs, cranks, seatpost, bottom bracket, 52/42 chainrings, shifters, and headset (yes, those are Bullseye red jockey wheels. Hey, as James Bond would say 'as long as the collar matches the cuffs, I don't mind')

Campagnolo Record Pave rims with newer vittoria sew-ups.
Sachs-Regina 13-18 six-speed freewheel.
A genuine Campagnolo seatpost bolt!!
And, Ya diggin' that gay white San Marco saddle with gold trim Solo?
The frame has details your rarely see on a production bike anymore, Note the logos cast into the bottom bracket shell, seat stays, brake bridge, and fork crown. There are a few little problems. The stickers aren't exactly period, they are from a much newer vintage, but I don't care.
There are a lot of chain-slap dings on the drive-side chain stay, but I don't care.
Ah thank it's real puuurrrrrty.
word.